Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Stazma The Junglechrist's interview from Breakcore Guidebook


This interview was made for the "Breakcore Guidebook Vol. 2".( I did interview in September 2018)
The English version will be published exclusively for the Murder Channel Blog.


Stazma The Junglechrist
https://soundcloud.com/stazma-the-junglechrist
https://stazma-the-junglechrist.bandcamp.com/

Breakcore Guidebook Vol.1&2(Japanese version)

Over 500 Discreet Reviews.
Interview with 27 artists from around the world.
and Column and the history of Murder Channel.

MxCx Interview#36 " Saint Acid (Bangface)"


Saint Acid (Bang Face)

https://bangface.com/
Bang Face is a regular electronic dance music event that has been taking place at various venues across the UK since 2003. Starting as a monthly club night in London, it has grown to include an annual three-day weekender at Southport, a boat party on the River Thames, as well as guest shows at festivals such as Glastonbury. In 2013 Bang Face celebrated its 10th birthday with DJ Mag stating BangFace [maintains] "the perfect blend of old skool rave and the finest contemporary leftfield sounds". In March 2015 Bang Face reached the milestone of 100 events by hosting the Weekender at Southport Holiday Park. Resident Advisor asked the question "Is Bangface the most unique rave out there?" and described it as a "Neo-rave utopia".

The influence of Bang Face is all over the world. Without their existence, I think the current music scene has changed. Bang Face told many people RAVE music and culture. As a result, RAVE came back to the music scene. And as long as Bang Face is there, it will remain forever.
It’s a season of Weekender soon. Music lovers from all over the world will gather over there.
I’m very lucky to have an interview with Bang Face's boss. This is a very interesting interview to look back on BangFace and RAVE music in the 2000s.




MxCx Interview#32 "Apzolut"



Apzolut 

https://apzolut.bandcamp.com/
Starting in Aruba with a grindnoizecore band called Extreme Assault as drummer. In Holland a project called Smoke (tapes destroyed) drums programmer. After that as Apzolut, producing breakcore, hard oldskool jungle, electro, etc.. not forgetting his metal background!



MxCx Interview#27 "Timothée Mathelin aka shift"



Timothée Mathelin aka shift.
https://www.futurorg.com/

Living in Lyon, France.
Specialized in electronic music cover artworks.
Works exhibited in London, Berlin, Paris, Marseille, Strasbourg, Nantes, Rennes…

Thematics of the future and nomadism are what inspire Timothée Mathelin the most. His travel photographs are the basis for his digital creations.
Timothée has worked with more than 30 music labels and created over than a hundred visuals for various music supports (digipak, vinyl, digicase, digital, etc).

September 2013 is the release month of “Transhumance”, an artbook summarizing four years of personal and commissioned graphic works and travel photographs of the artist.

May 2015 is the release month of “Yume Yume”, a travel book of a 4 months trip in Japan: Photographs, dreams made at night and illustrations.

TRANSHUMANCE (116 PAGES OF PERSONAL ARTWORKS, ALBUM COVERS AND TRAVEL PHOTOGRAPHS by Timothée Mathelin)
Order at http://www.futurorg.com/artbook/transhumance/

YUME YUME (220 PAGES OF PHOTOGRAPHS, ILLUSTRATIONS AND DREAMS IN JAPAN + 3 POSTCARDS by Timothée Mathelin)
Order at http://www.futurorg.com/artbook/yume-yume/


MxCx Interview#26 "Hallucinator"



Hallucinator

In a world where most of the music sounds the same and every producer is the carbon copy of eachother, Luca Lodi and Simone Sighinolfi aka Hallucinator, came to break the rules. 
A career developing since 2007, proposing their uncompromising signature sound and ranging from hard neurofunk to hardcore, metal and everything in between, their pride is driven by having their own identity and not following a particular style. Always favouring quality over quantity, nonetheless the body of work looks astounding already.
The masked duo counts several releases on many prestigious labels such as EMI, PRSPCT, Yellow Stripe, Forbidden Society, Brutale (to quote a few), worked together with names like Gridlok, Counterstrike, MC Coppa, The Outside Agency, Andy the Core, The Sickest Squad. 
Definitely not the usual dj set, their show is highly energy infused and gets perceived as a live band concert. A unique approach that made them headline several shows around the globe and on the biggest festival stages, like: Let it Roll, Beats for Love, Boomtown, Imagination, Decibel, Hardshock, Q-Base, PRSPCT XL and many more, always leaving a mark and schocking crowds in every performance.
Pioneers of mask wearing since ten years into the scene, long before it became a glamorous bandwagonist gimmick, they give birth to worldwide recognized anthems like "Raise Your Middle Finger", "Resist" or the metal influenced "Fuck The System". 
End of 2017 and beginning of 2018 see Hallucinator step it up once again, on one side experimenting on 200bpm with the release on Brutale, and on the other side with their second album "Iconoclasm", forthcoming on the mighty PRSPCT Recordings, which will bring it back to their Drum and Bass roots.
Don't miss them play in your town on their next Iconoclasm tour!!!


MxCx Interview#25 "DJ Skull Vomit"



DJ Skull Vomit

https://soundcloud.com/djskullvomit
https://djskullvomit.bandcamp.com/

Skull Vomit and Singaya are the two other monikers from Tony Welter who is also half of the fierce Electro/Grind duo Eustachian and partial owner of Fathme Records. The last few years, Tony has left the Eustachian name behind to rest respectively to concentrate on his 2 still very heavily metal influenced solo projects. One (Singaya), a dubstep driven, electronic grind scuffle and the other, (Skull Vomit) a more fast paced industrial breakcore riot. Either way, the original Eusta- chian blue print is still present but evolved, adapted and personalized to cover 2 very different but quite closely related bastard children. - Miike Teknoist



MxCx Interview#24 "Hitori Tori"



Hitori Tori

http://hitoritori.tumblr.com
https://soundcloud.com/hitori-tori

Hailing from Vancouver, Canada Hitori Tori has seen a hand full of EPs and
releases on net labels such as Peace Off Records, Kaometry and Otherman.
Hitori Tori's live performances have received positive acclaim in publications such as
Computer Music Magazine and Create Digital Music. Over the past several years Hitori Tori has toured Japan, Europe and played improvised sets at the Manitoba Electronic Music Festival.


MxCx Interview#23 "Duran Duran Duran"



Duran Duran Duran

https://soundcloud.com/duranduranduran
https://www.facebook.com/Duran-Duran-Duran-117669818281421/

Arising from the dark heart of Philadelphia, Ed Flis has been making electronic music since 1995 and experimenting with sound since much earlier. In 1999 he formed Duran Duran Duran with Michael Chaiken and Tony Gabor. While cutting his teeth in hip hop bands, hardcore bands, and punk bands, Duran Duran Duran remained mainly a side project – eventually becoming the centerpiece of Ed’s musical output. What started off as mainly a sample-based noise project evolved into something much more honed and refined for the dancefloor as he discovered the free party scene and raves, while still maintaining a punk rock edge that isn’t afraid to experiment.

Now producing everything from ghetto tech to breakcore and beyond, Ed’s sets can be as varied as his tastes, but always hard, dark and fun. He’s toured Europe and the United States extensively since 2002, as well as Japan, He’s released records on Planet Mu, Cock Rock Disco, Tigerbeat6, Peace Off.

MxCx Interview#22 "KNIFEHANDCHOP"



Knifehandchop

https://soundcloud.com/knifehandchop

Knifehandchop is the brainchild of Toronto native Billy Pollard. Pollard has been unleashing devastating electronic sonic warfare on the Irritant and Tigerbeat 6 labels. The all-round culture junkie plunders the vaults of every imaginable genre: gabba, hardcore, dancehall, hip hop, pop and jungle to name a few, and with a deft touch dices and splices all manner of acoustic references into dancefloor bombs. In early 2003, Irritant compiled Bling the Noize, culled from previous vinyl-only releases. His debut album, Rockstopper, followed suit on Kid 606’s Togerbeat 6 label. His first fully-fledged album of totally original work, How I Left You, hit shelves in 2004, garnering serious praise from press and public alike.


MxCx Interview#21 "Gore Tech"



Gore Tech

http://www.gore-tech.net/

The dystopian anxiety fueled sounds of Gore Tech represent the cutting edge in nuevo-industrial, future-phobic drum & bass music. From as early as 2011, Gore Tech has been welding together the rough edges in state-of-the-art technophobic nightmare-ish sound-scapes, working in collaboration with other production outfits, bands and products alike to produce their unique styles of Drum & Bass, Future-Doom and Dub.


MxCx Interview#20 "Monster X"



Monster X

https://monsterx.bandcamp.com/

Radio / tv sound designer by day, electro-breakcore mentalist by night, this smiling misfit come from a background in thrash metal and industrial music, with his previous 12-piece metal band gigs involved fake-blood-splattering theatrics and on-stage riots, he later went the solo electronic route as it was more efficient at causing mayhem.

Intrigued by his way of adeptly and confidently switching from solid, body-rocking electro grooves to abstract, mentalist breakcore, feisty hyper-processed dancefloor electronics, labels like Bedroom Research ,Peace Off, and Tigerbeat6 have been quick to release his militant, lunatic sound. He's also one of the member of Fausten , a collaborative project with Stormfield , the Combat Recording label Boss . An Album of Fausten was release in 2013 on the label Ad Noiseam .


MxCx Interview#19 "DROON"



DROON

http://www.droon.org/

Droon! Your favourite Belgian B-list Breakcore Live Act! MIG-helmet? Beard? Makeshift keytar? That's the one. His improvised gabberkick mashup breakcore topped up with ample chipmunk bastard pop sprinkles, country nuggets & metal shards has brought him to Osaka, Moscow, Sydney, New York, Sao Paulo Beijing and Maldegem! the biggest "actual talent" vs "gone places"discrepancy in showbusiness!


MxCx Interview#18 "Jungle Syndicate"




Jungle Syndicate

https://soundcloud.com/junglesyndicate
https://www.facebook.com/JungleSyndicate/

Jungle Syndicate is a collective of DJs, producers and promoters bringing a mix of amen infused drum and bass and deep dark jungle breakcore to ravers through our own productions, our mixes and our events; currently based in London, Bristol, Manchester, Cornwall and Devon.


8 YEARS OF JUNGLE SYNDICATE BRISTOL Saturday 4th March 2017 @ The Black Swan
https://www.ticketspread.com/home/event/8-years-of-jungle-syndicate-bristol-8-years-of-jungle-syndicate-bristol



MxCx Interview#17 "FFF"



FFF
http://www.tripletimesf.com/

Setting fire to dancefloors with chopped breaks, deadly deep subs, soundclash mentality and pure euphoria.

FFF started "djing" on 2 turntables (without pitch control) early 90s. Mixing mainly rave, techno and the sparse UK breakbeat hardcore imports that arrived at his local record shops.
First steps into making music: combining sounds from vinyl mixed with tapeloops, sounds from his sisters keyboard and a lot of feedback. Things changed big time when his parents bought a PC and his friends turned him onto tracker software.

Mid 90s he started the cassette label "Orange Socks" on which he released his own material plus music from his friends and artists he met through tapetrading. He released his first track on vinyl in 2001 (on the French Necromaniacs Industry label) and from then on kept releasing on a wide range of labels (see list of labels below) His first full length album "20.000 Hardcore Members Can't Be Wrong" was released on the Japanese Murder Channel Label in 2011. And the follow up "Keep The Fire" in 2013.

In 2001 Bong-Ra & FFF organized the Breakcore a GoGo parties. These became one of the first regular Breakcore nights in Europe. When BCGG ended in 2004, FFF continued to promote breakcore & Jungle on the monthly Wreck havoc nights which never officially stopped and still pop up once in a while.

Live you can expect amen warfare, hoovers, rave horns and tropical vibes with elements of jungle, rave, bubbling, dancehall and gabber.



MxCx Interview#16 "Spinscott"



Spinscott

www.soundcloud.com/spinscott


Spinscott is a DJ, producer, and lifelong drummer who created and regularly performs a live format called Jungle Plus Drums. Each unique DJ set features 100% LIVE Loop-Free Jungle played real-time on the drum machine, combined with mixing of original & classic tracks on CDJs and drum rhythms played with the music. Spinscott has been active in the Jungle / Drum and Bass music scenes since the mid 1990’s, and has performed hundreds of DJ sets at the national level.

Attracting global attention through his Live Jungle Drum Machine videos that showcase freestyle jungle on the drum machine, Spinscott continues to create viral music content across media platforms, driving demand for live appearances at music events. In 2015/'16, Spinscott played shows in over 18 cities, performed live at the Pioneer USA and AKAI Pro booths at NAMM, and became a premier finger drumming lesson artist for Melodics. He has charted releases on multiple labels including: Dynamix Records, Faction Digital Recordings, Wicked Jungle Records, and forthcoming tracks on vinyl & digital for Elm Imprint. Spinscott also hosts the Monday night weekly Jungle + Drums radio program on jungletrain.net, which often features appearances by his pit-lab mix MC Baxter.



MxCx Interview#15 "ROLY PORTER"



** This interview was recorded on March 15, 2016 **


ROLY PORTER
http://www.rolyporter.com/

Roly Porter began his career as one half of groundbreaking project Vex'd, releasing a series of singles on the Subtext imprint before moving to Planet Mu to release the classic Degenerate and Cloud Seed albums.

His solo work fuses his background in sound system music with contemporary classical composition and focused sound design resulting in a singular and often harrowing sound. 2011 saw the release of the critically acclaimed LP Aftertime followed in 2012 by the Alderburgh Festival commissioned Fall Back, a collaboration with renowned Ondiste Cynthia Millar.

As a composer and sound designer Porter has produced original soundtracks for Big Talk/Film 4's In Fear which premiered at this years Sundance festival and dystopian thriller Interferenz.



MxCx Interview#14 "DR DAS(Asian Dub Foundation)"



** This interview was recorded on March 10, 2016 **



DR DAS
https://drdas.bandcamp.com/
https://soundcloud.com/dr-das


Dr Das is the bassist and co-founder of Asian Dub Foundation. As an independent producer and remixer, he has developed a reputation for creating Dub that is heavy, militant and fiercely anti-exoticist. He describes his approach as “dubnoiz” and always features his emotive, cyclical bass melodies in a tense, shifting environment of alien noise and distorted percussion - inspired by Muslimgauze, early On-U Sound, 70s Miles Davis and Underground Resistance.

He has released three dubnoiz albums to date: “Emergency Baselines” (VU Recordings) in 2006, "Preparing 4 War” in 2014 and “Outsider Dub” in 2015, the latter two on Bandcamp.
His interest in experimental dance music goes back to when was an art student in the 80s. Even though he listened to punk and reggae, he started making music more influenced by bands like 23 Skidoo, Pink Industry, Portion Control and Severed Heads, using percussion, metal percussion, drum machines and tape loops. Later on, he played congas at warehouse parties along with the DJs and this exposure to acid house encouraged him to move towards a more electronic sound. He was still heavily into Dub, especially On-U sound and African Head charge, and realised dub could be a framework to hold all these sounds together, with the bass acting as a kind of ‘glue.’

And so he formed the idea of “dub/noise” and the first time this was realised was with Headspace, a project he started with Chandrasonic (ADF's guitarist) in 1988. It was during this period, he learnt to sample and how to use electronics in a live situation. This formed the foundation for the future ADF.

Dr Das started teaching with Community Music, London in 1990 and it was here in 1993 that he formed ADF with DJ Pandit G and MC Deeder after music technology workshops.

Pandit G introduced Dr Das to the music of Muslimgauze in 2000. He was blown away by the sound of distorted tablas and darbourkas and started his own experiments, putting loops through a RAT distortion pedal and Zoom ST244 sampler and then playing baselines on top. He knew he had found the sound he was looking for. In 2002 he started work on his first dubnoiz album. The US were about invade Iraq and so this became the sound and name of the project: “Preparing 4 War.”

Dr Das left ADF 2006 and saw it as an opportunity to return to the experimental music he was so keen to play. He immediately released “Emergency Basslines” on VU Recordings (preferring this set to Preparing 4 War, as the music was more fresh at the time). Preparing 4 War was finally released in 2014 (after he had rejoined ADF) but by this time, Dr Das’s production skills were considerably better. “Outsider Dub” came out the following year, the name being partly a reference to the fact that this music was generally not accepted by the 'dub scene' as being too experimental and aggressive.

As well developing as a producer, Dr Das always remained committed to his bass, and learnt to play lines that were more minimal, more “Zen,” to provide a contrast to the movement of the noise elements, but keeping a strong melody. The bass guitar provided a massive organic element to differentiate it from other electronic music.

Dr Das has performed with Dubnoiz Sound System internationally (live bass with Bantu on electronics) , including the US, UK, Colombia and India. Though he is now back with ADF, he spends all his spare moments writing fresh material and a new dubnoiz album will be released next year. (There is also an indian electronic distortion raga album waiting on a hard drive to be mixed.)